Calling Card (1976)
+10
JLo
Sgt. Pepper
Ayler
stormbringer74
Chris
Tontonjimi
Garbage Man
gedral
JOEY
Chino
14 participants
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Re: Calling Card (1976)
Chino a écrit:
1. Do You Read Me - 5'20
2. Country Mile - 3'18
3. Moonchild - 4'48
4. Calling Card - 5'24
5. I'll Admit You're Gone - 4'25
6. Secret Agent - 5'45
7. Jacknife Beat - 7'04
8. Edged in Blue - 5'31
9. Barley and Grape Rag - 3'39
Bonus tracks de la réédition de 1999:
1. Rue the Day - 4'14
2. Public Enemy (B-Girl Version) - 4'35
CALLING CARD est considéré par beaucoup comme le meilleur album studio de Rory Gallagher, et force est d'admettre que cet album est fantastique (bien que Gerry McAvoy, le bassiste de Rory, ne l'aime pas!).
Tout est dit.
Quand j'écoute du Gallagher c'est soit "Calling Card" soit "Irish Tour".
La dernière fois j'ai regardé le DVD "Old Grey Whistle test" (1976), j'ai été assez déçu.
JOEY- Messages : 2463
Date d'inscription : 24/05/2010
Re: Calling Card (1976)
Bons choix!JOEY a écrit:Chino a écrit:
1. Do You Read Me - 5'20
2. Country Mile - 3'18
3. Moonchild - 4'48
4. Calling Card - 5'24
5. I'll Admit You're Gone - 4'25
6. Secret Agent - 5'45
7. Jacknife Beat - 7'04
8. Edged in Blue - 5'31
9. Barley and Grape Rag - 3'39
Bonus tracks de la réédition de 1999:
1. Rue the Day - 4'14
2. Public Enemy (B-Girl Version) - 4'35
CALLING CARD est considéré par beaucoup comme le meilleur album studio de Rory Gallagher, et force est d'admettre que cet album est fantastique (bien que Gerry McAvoy, le bassiste de Rory, ne l'aime pas!).
Tout est dit.
Quand j'écoute du Gallagher c'est soit "Calling Card" soit "Irish Tour".
Ah oui?JOEY a écrit:La dernière fois j'ai regardé le DVD "Old Grey Whistle test" (1976), j'ai été assez déçu.
J'adore ce concert pour ma part, notamment pour les versions fabuleuses de "All Around Man", "Bullfrog Blues" et "Souped-Up Ford". Ça m'étonne que tu n'aies pas accroché plus que ça...
Re: Calling Card (1976)
J'ai trouvé ce concert très hard et très confus.
JOEY- Messages : 2463
Date d'inscription : 24/05/2010
Re: Calling Card (1976)
On parle bien de ça?JOEY a écrit:J'ai trouvé ce concert très hard et très confus.
Re: Calling Card (1976)
Garbage Man (Jeu 16 Déc 2010 - 15:53) a écrit:Ma chronique: http://cradle-rock.blogspot.com/2010/12/calling-card-1976.html
Re: Calling Card (1976)
au fait Chino... j'avais mis l'info ailleurs mais tu ne l'a sans doute pas vu alors sache que ce coup ci j'ai parlé à Roger Glover de cet album et je lui ai donné en main propre ton interview en vantant ton admiration pour Rory.. il m'a rien promis pour la réponse mais qu'i essayerait en tout cas (ça vaut ce que ça vaut.. ) m'a quand même glissé que c'etait vraiment du bon travail en studio et que ça tient la route encore aujourd'hui (ce qui tendrait à prouver qu'il l'écoute encore de temps en temps)
juste deux petites photos pour illustrer mon propos !
voilà my friend !
juste deux petites photos pour illustrer mon propos !
voilà my friend !
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Re: Calling Card (1976)
stormbringer74 a écrit:au fait Chino... j'avais mis l'info ailleurs mais tu ne l'a sans doute pas vu alors sache que ce coup ci j'ai parlé à Roger Glover de cet album et je lui ai donné en main propre ton interview en vantant ton admiration pour Rory.. il m'a rien promis pour la réponse mais qu'i essayerait en tout cas (ça vaut ce que ça vaut.. ) m'a quand même glissé que c'etait vraiment du bon travail en studio et que ça tient la route encore aujourd'hui (ce qui tendrait à prouver qu'il l'écoute encore de temps en temps)
juste deux petites photos pour illustrer mon propos !
voilà my friend !
Merci BEAUCOUP Stormy...
Re: Calling Card (1976)
Un disque promotionnel de du label Chrysalis avec (entre autres artistes), le "Moonchild" de Rory (dans la version studio parue sur Calling Card):
Re: Calling Card (1976)
Chino a écrit:stormbringer74 a écrit:au fait Chino... j'avais mis l'info ailleurs mais tu ne l'a sans doute pas vu alors sache que ce coup ci j'ai parlé à Roger Glover de cet album et je lui ai donné en main propre ton interview en vantant ton admiration pour Rory.. il m'a rien promis pour la réponse mais qu'i essayerait en tout cas (ça vaut ce que ça vaut.. ) m'a quand même glissé que c'etait vraiment du bon travail en studio et que ça tient la route encore aujourd'hui (ce qui tendrait à prouver qu'il l'écoute encore de temps en temps)
juste deux petites photos pour illustrer mon propos !
voilà my friend !
Merci BEAUCOUP Stormy...
voilà ce qu'un zinzin du topic décompte est capable de faire
Tontonjimi- Messages : 17969
Date d'inscription : 31/05/2010
Age : 51
Re: Calling Card (1976)
Oui, je remercie sincèrement Stormy pour avoir pris le temps de parler de ma demande d'interview à Roger Glover, et même de lui avoir fourni la liste de mes questions!
Ceci dit, je n'ai à ce jour reçu aucune nouvelle...
Ceci dit, je n'ai à ce jour reçu aucune nouvelle...
Re: Calling Card (1976)
Dommage en effet !
Mais je ne sais pas si Glover apprécie de devoir se remémorer le fait que Rory n'était pas content de la prod' de l'album.
Mais je ne sais pas si Glover apprécie de devoir se remémorer le fait que Rory n'était pas content de la prod' de l'album.
Re: Calling Card (1976)
Voici les questions que que Stormy a transmises de ma part à Roger Glover:
ROGER GLOVER INTERVIEW
FG: When and where did you first meet Rory Gallagher ? Was it in 1969, when Rory played with Taste, or later ?
FG : What did you think of him at that time, from both a musical and human point of view ?
FG : Ritchie Blackmore said Rory was the "Ultimate performer". Did he like Rory ? Did they jam together ?
FG : Did you jam with Rory during these tours, either backstage or onstage ?
FG : Wasn’t it too difficult to take the stage after Rory Gallagher ?
FG : You made several tours, with the Rory Gallagher Band on the bill, either with DP or with Episode 6. I presume you became pretty close with him after all these tours, so have got some anecdots ?
FG : How did you lead to produce Calling Card in 1976 ? Did Rory ask you to produce this album, or was it you who offered to produce him ?
FG : Did Chrysalis ask Rory to sound more hard-rock, or maybe more commercial ?
FG : Calling Card was recorded at the Musicland Studio in Münich, Germany. Why the choice of this specific studio ? Who made this choice? If I’m correct, I think you recorded you second solo album (« Elements ») at the same time, isn’t it ?
FG : Rory used to produce his albums previously, he had a very clear idea of what he wanted, and what didn’t want. For example, in december 1977, he even throw to the dustbin the album recorded in San Francisco produced by Eliott Mazer, because he wasn’t satisfied at all by he final result. So I presume it wasn’t easy everyday to produce Rory Gallagher ! Was he reluctant to let you produce him at the beginning?
FG : What was you relations between you & Rory ? Did he listen to you and accept your ideas and suggestions ? Was he coproducer, as it’s indicated in the liner notes of the Remaster CD, or were you the only producer ?
FG : Did you record more tracks than those officially released ? If yes, do you remember some ?
FG : Did Rory arrived in sthe sutdios with compos ready to be recorded, or did he rehearse them in the studio ? Did he composed tracks in the studio ?
FG : When did you record : day, night ? How much takes were necessary ?
FG : Calling Card was recorded on a 16 tracks, is it correct ?
FG : Booth ? vocals overdubbed or live ?
FG : Who chose the tracks selection and the tracks order ?
FG : The production seems to focuse on the band more than on Rory himself. Was it a conscient approach you had before recording the album ? In other words, was it a concept you had before entering in the studio ?
FG : Like a lot of Rory’s fans, Lou Martin (the keyboards player) thinks it’s the better studio album of the « quartette era ». What do you think of that ?
FG : According to Rory himself, the recording was pretty long : « , it took very long time to complete the job than we planned. It might be the best to produce by myself if I try to make a record faster. » How much time did you spend to record « Calling Card » ? Why did it took so much time ?
FG : Gerry McAvoy (Rory’s bassist) doesn’t like this album, saying it’s too clinical, overproduced actually, leading to some tensions between you and Rory. Donal Gallagher (Rory’s brother) remembers there were tensions as well, in particular because of the final mix : it seems that Rory wasn’t satisfied with the original mix you made, so the album was remixed in 1976 by Chris Kimsey, to give a more dirty sound. Were there tensions ? And the orignal mix was really different than the one made par Chris Kimsey ?
FG : Were there tensions within the band ?
FG : What is your favorite track of the album ?
FG : Do you remember if the title of the album was ever choosen when you were in the studio ? Who found this title ?
FG : Did you listen to the remaster made by Tony Arnold? If yes, what do you think of it ? Were you contacted for this remaster ?
FG : In an interview, David Coverdale said Rory was envisagé as replacemnt for replacing Ritchie Blackmore in Deep Purple. Can you confirm that ? Is Rory was aware of that ?
FG : Did you meet Rory after the CC recording ?
FG : What will remain your best remembering of Rory Gallagher ?
FG : What are you projects at the moment ?
ROGER GLOVER INTERVIEW
FG: When and where did you first meet Rory Gallagher ? Was it in 1969, when Rory played with Taste, or later ?
FG : What did you think of him at that time, from both a musical and human point of view ?
FG : Ritchie Blackmore said Rory was the "Ultimate performer". Did he like Rory ? Did they jam together ?
FG : Did you jam with Rory during these tours, either backstage or onstage ?
FG : Wasn’t it too difficult to take the stage after Rory Gallagher ?
FG : You made several tours, with the Rory Gallagher Band on the bill, either with DP or with Episode 6. I presume you became pretty close with him after all these tours, so have got some anecdots ?
FG : How did you lead to produce Calling Card in 1976 ? Did Rory ask you to produce this album, or was it you who offered to produce him ?
FG : Did Chrysalis ask Rory to sound more hard-rock, or maybe more commercial ?
FG : Calling Card was recorded at the Musicland Studio in Münich, Germany. Why the choice of this specific studio ? Who made this choice? If I’m correct, I think you recorded you second solo album (« Elements ») at the same time, isn’t it ?
FG : Rory used to produce his albums previously, he had a very clear idea of what he wanted, and what didn’t want. For example, in december 1977, he even throw to the dustbin the album recorded in San Francisco produced by Eliott Mazer, because he wasn’t satisfied at all by he final result. So I presume it wasn’t easy everyday to produce Rory Gallagher ! Was he reluctant to let you produce him at the beginning?
FG : What was you relations between you & Rory ? Did he listen to you and accept your ideas and suggestions ? Was he coproducer, as it’s indicated in the liner notes of the Remaster CD, or were you the only producer ?
FG : Did you record more tracks than those officially released ? If yes, do you remember some ?
FG : Did Rory arrived in sthe sutdios with compos ready to be recorded, or did he rehearse them in the studio ? Did he composed tracks in the studio ?
FG : When did you record : day, night ? How much takes were necessary ?
FG : Calling Card was recorded on a 16 tracks, is it correct ?
FG : Booth ? vocals overdubbed or live ?
FG : Who chose the tracks selection and the tracks order ?
FG : The production seems to focuse on the band more than on Rory himself. Was it a conscient approach you had before recording the album ? In other words, was it a concept you had before entering in the studio ?
FG : Like a lot of Rory’s fans, Lou Martin (the keyboards player) thinks it’s the better studio album of the « quartette era ». What do you think of that ?
FG : According to Rory himself, the recording was pretty long : « , it took very long time to complete the job than we planned. It might be the best to produce by myself if I try to make a record faster. » How much time did you spend to record « Calling Card » ? Why did it took so much time ?
FG : Gerry McAvoy (Rory’s bassist) doesn’t like this album, saying it’s too clinical, overproduced actually, leading to some tensions between you and Rory. Donal Gallagher (Rory’s brother) remembers there were tensions as well, in particular because of the final mix : it seems that Rory wasn’t satisfied with the original mix you made, so the album was remixed in 1976 by Chris Kimsey, to give a more dirty sound. Were there tensions ? And the orignal mix was really different than the one made par Chris Kimsey ?
FG : Were there tensions within the band ?
FG : What is your favorite track of the album ?
FG : Do you remember if the title of the album was ever choosen when you were in the studio ? Who found this title ?
FG : Did you listen to the remaster made by Tony Arnold? If yes, what do you think of it ? Were you contacted for this remaster ?
FG : In an interview, David Coverdale said Rory was envisagé as replacemnt for replacing Ritchie Blackmore in Deep Purple. Can you confirm that ? Is Rory was aware of that ?
FG : Did you meet Rory after the CC recording ?
FG : What will remain your best remembering of Rory Gallagher ?
FG : What are you projects at the moment ?
Re: Calling Card (1976)
Réécouté hier avec un réel plaisir : au-delà de la production, que l'on appréciera plus ou moins selon sa sensibilité, ce sont les qualités d'écriture et d'interprétation qui s'imposent sur ce disque. En raison de statut de guitar hero, Gallagher est rarement considéré sous l'angle du songwriter alors que c'est justement la force de ce disque : l'écriture est non seulement très variée, mais elle est très inspirée. Au final, c'est en effet l'un des disques les plus denses de la musique rock : comme le disait Patrick, c'est le genre de disque qu'on peut écouter d'une traite sans baisse de régime - ce qui est rare.
Re: Calling Card (1976)
Absolument, c'est vraiment un grand disque, et tu as raison d'insister sur ses talents de songwriter injustement mésestimés.Ayler a écrit:Réécouté hier avec un réel plaisir : au-delà de la production, que l'on appréciera plus ou moins selon sa sensibilité, ce sont les qualités d'écriture et d'interprétation qui s'imposent sur ce disque. En raison de statut de guitar hero, Gallagher est rarement considéré sous l'angle du songwriter alors que c'est justement la force de ce disque : l'écriture est non seulement très variée, mais elle est très inspirée. Au final, c'est en effet l'un des disques les plus denses de la musique rock : comme le disait Patrick, c'est le genre de disque qu'on peut écouter d'une traite sans baisse de régime - ce qui est rare.
Re: Calling Card (1976)
Pourquoi avoir choisis celle où on dirait que Rory ne sait pas remis d'un lendemain de cuite ?
Re: Calling Card (1976)
Et oui, vive le capitalisme! D'autant que le son est apparemment strictement le même que sur le remaster sorti en 1999 (avec remix, loudness war et tout le bordel)...Ayler a écrit:3ème pochette pour le même album ?
Il serait malgré tout intéressant de comparer cette nouvelle édition avec le remaster de 1999 et avec l'albul original pour pointer les différences en terme de son et de mix. Mais ça me fatigue d'avance....
Je savais qu'elle te plairait cette pochettte!Garbage Man a écrit:Pourquoi avoir choisis celle où on dirait que Rory ne sait pas remis d'un lendemain de cuite ?
On dirait une réédition bootleg de l'album, avec photo pourrie et texte en Times New Roman!
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Sujets similaires
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» I'll Admit You're Gone (Calling Card)
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» Barley And Grape Rag (Calling Card)
» Do You Read Me (Calling Card)
» I'll Admit You're Gone (Calling Card)
» Country Mile (Calling Card)
» Barley And Grape Rag (Calling Card)
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